Monday, January 10, 2011

Bad To Get Vaccine If Already Had Chickenpox

defend the company union representatives at the side of the FIOM

I do not know if you remember the Fiat 127 and 128 of the 70s, surely worn by rust, left the creaking door, the unmistakable fragrance of plastic that hung inside the rhythm, the squeaky steering spindles of 126. Well, I still remember them and, apparently, if I recall the many Italians who agree en masse to their preference to foreign competition. If we look at traffic on our roads, cars built abroad dominate by far the Fiat. Once it was just the opposite. Everyone bought the cars that wanted to build in the Agnelli budget but the proof of the facts, proved disappointing. The house in Turin, like it or not, pays the price for having offered to customers for business choice (and not to release the workers), the automotive industry at an ever produced abroad. As in recent years, the quality has improved, the damage is done and difficult recipes Marchionne will be able to resolve a crisis that has deep roots. It seems, in fact, according to the classic business logic, which to pay the bad results of an enterprise should be, as always, the workers and poor management. Nobody dreams of going in search of that surplus which for years has enriched the coffers of the master. One consideration that arises because, just a few days ago, ' l'emittente televisiva La7 rilevava che il manager italo-canadese guadagna da solo quanto tutti gli operai di Mirafiori. Pare, tra l'altro, che i risultati di vendita della Bmw, pur impegnata in un segmento superiore rispetto alla casa italiana, siano di gran lunga migliori rispetto alla Fiat eppure... la stampa di questi giorni ci dice che il top management della casa bavarese sarebbe meno pagato rispetto a quello della casa italiana. Licenziamo i manager - sarebbe naturale affermare - esternalizziamo Marchionne! Ma, a quanto pare, il mondo continua ad andare alla rovescia. Si continua a chiedere sacrifici ai lavoratori, a limitare i diritti e molti operai, ormai ridotti alla fame, stremati cedono al ricatto. Il ceto impiegatizio, dal canto suo, appare indifferente and does not take into account the fact that the treatment Marchionne, soon, may also cover them. I think they just indifference, resignation and fear to pull together the threads of the massacre that this game is throwing anything in years and years of struggle and achievements of trade unions. The Statute of Workers, the union representation within the company, as is the safety are core values \u200b\u200bin relation to which there can be no compromise. Therefore I am convinced that the workers of the FIOM deserve our solidarity and should not be left alone in this bitter dispute that today is tomorrow Mirafiori but inevitably involve us all.

Thursday, January 6, 2011

Left Hand Pinky Joint Hurts

Cagliari, David Herbert Lawrence e. .. Travellers

Voglio dedicare il primo post del 2011 alla mia città e a David Herbert Lawrence, autore capace di esaltarla con la sua mirabile prosa. Perciò, questo pomeriggio, ho sfidato le ripide scale della Torre di San Pancrazio è ho realizzato, da quello che certamente è il punto più alto di Cagliari, il video che vado ora a proporvi. Vi prego di scusare qualche incertezza  ma non è facile governare la telecamera e, allo stesso tempo, far attenzione al testo  scritto che comunque riporto al termine del filmato.

" Cagliari strange and a little 'Magic ..." so I like to start this post with the suggestions of David Herbert Lawrence, one of the greatest English writers of the 900 joint Sardinian capital in early 1921. With much enthusiasm and the idea of \u200b\u200bfinding the island with his wife Frieda, his "retreat". Lawrence, born in 1885 into a family of miners British novelist was wandering, sensitive to the moods and social movements of the soul. He gained notoriety with "Sons and Lovers" (1913), "The Rainbow" (1915) and "Women in Love" (1920). Stirred up scandal in 1928 with "Lady Chatterley's Lover", a work that earned him the reputation as a "writer of sensuality." But today I speak of the traveler and David Herbert Lawrence described his stay in Cagliari a wonderful diary titled "Sea and Sardinia". A work gripping , able to convey to the reader all the charm and sense of adventure and enclosed in a journey of the past. A journey that leads to the discovery of an English literary Sardinia still old. Cagliari, Olbia through Barbagie up to Newfoundland. Lawrence stays in Cagliari at the Hotel La Scala di Ferro site shady Viale Regina Elena, which drops steeply towards the dock where, until not long ago ', moored fishing fleet. E 'Carnival ... and I seem to see the English writer, elegantly dressed, accompanied by his wife is heading towards the port area, in one of those days of bitter cold of our typical month of January: - The social life of Cagliari - Notes Lawrence - takes place on Via Roma. Including coffee houses with outdoor seating on one side and the promenade on the other hand, is a very broad way, and the evening includes the entire city. Here and only here, the coaches can proceed very slow, here riding officers, and people can walk en masse. We stunned the crowd that we were suddenly around, as a quick , Dense river of people flowed slow, massive. No vehicle traffic, almost, only a dense and uninterrupted flow of human beings of all kinds, all on foot. A bit 'so he had to be in the streets of imperial Rome, where no car could move and humanity was all on foot. Masks, isolated in small groups, and danced with haughty strides in dense flow under the trees. The masks do not walk like human beings: they dance and struts struts so extravagant as life-size puppets, moved down through the wire. So move with strange shots as carefree and driven by wires attached to his shoulders ... - Lawrence, writer and gentleman, carefully watched our city, i suoi usi e i suoi costumi e quelle ragazze e donne contadine “vivaci e provocatorie... con quei grandi occhi scuri senza luce ...Velasquez , a volte, e a volte Goya, danno un'idea di questi occhi grandi senza luce...” Il viaggio di David Herbert Lawrence, allora, è molto di più di un girovagare fra le strade di una città sconosciuta... Lawrence non ha fretta: si sofferma e scruta nel più profondo dell'animo di una città che oggi è molto cambiata. Il chiacchierio della gente seduta ai tavolini, sotto i portici della via Roma è sovrastato dal rumore del traffico che scorre implacabile e impietoso e, nella darsena i pescherecci hanno lasciato il posto agli yacht e ai velieri da regata...ogni tanto arriva qualche nave da crociera e i turisti, venuti da molto lontano, si soffermano per il tempo necessario per un giro sul bus scoperto, poi di fretta, forse senza aver incrociato, manco per un attimo, quegli “ occhi di un'oscurità morbida e sorda, tutta velluto, da cui nessun diavoletto si affaccia” , risalgono su quelle immense navi bianche... con un'immagine vaga, superficiale di una città, non vissuta ma solo, a malapena, intravista.


Wednesday, January 5, 2011

Answers To Lab 4 In The Ap Biology Lab Manual

Beppe Severgnini "Italian Lessons - half-serious"

If you want to read something about the grammar to your students, or some further argument in a very semi-serious, as the title says, is the book for you.
Some will say that is not the "Bible" of Italian grammar, but it's a cute book that offers good food for thought and sympathetic articles on a subject that students often consider boring.
I really like the chapters on punctuation, and also that the diminutive is not bad.
Pobabilmente to be able to make better use of the ideal is to propose a level B1 on, but for example, the chapter on "Write the way" is can also be used with a student A2.
And you, have you read? Any idea on How to use?